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The King’s Favourite: George Villiers, 1st Duke of Buckingham

Date: February 1, 2024

Author: Minette Butler

In the ruthless world of the Stuart court, royal favour was everything. No one knew this better than George Villiers, 1st Duke of Buckingham, whose rise to power was built on the love and patronage of King James I (VI of Scotland).

Here, Assistant Curator Minette Butler explores the life of this famous royal favourite and his place among the LGBT+ stories inside our palaces.

'The Handsomest-Bodied Man'

For one of Stuart England’s most famous men, George Villiers had relatively humble beginnings. Born in Leicestershire in 1592, he was the second son of Sir George Villiers by his second wife, Mary Beaumont.

Growing up, Villiers already showed the manners, skills and virtues needed to succeed at court, all of which he spent time polishing in France. A keen dancer and fencer, those around him recognised his grace, his charm and above all his beauty. One observer later called him ‘the handsomest-bodied man in all of England’.

Image: George Villiers, 1st Duke of Buckingham, by studio of William Larkin, c.1616. © National Portrait Gallery, London

George Villiers, 1st Duke of Buckingham
attributed to William Larkin, and studio of William Larkin
oil on canvas, circa 1616
81 in. x 47 in. (2057 mm x 1194 mm)
Given by Benjamin Seymour Guinness, 1952

When George Villiers Met James I

Villiers first caught James I’s eye at Apethorpe Palace in Northamptonshire in 1614.

James was well known for his male favourites, who he loved to shower with affection, wealth, and titles. At this time, his reigning favourite was Robert Carr, Earl of Somerset.

Carr was a powerful man who dominated the King’s affections; many people at court, including James’ wife, Queen Anne of Denmark, hoped to remove his influence. What better time for another young man to turn the King’s head?

Image: King James I of England and VI of Scotland after John De Critz the Elder, early 17th century, based on a work of c.1606. © National Portrait Gallery, London

A painting of a man showing head and shoulders. She is dressed in 17th century regal, expensive clothing

Cupbearer and Courtier

With the help of influential allies, including his mother Mary Villiers (nee Beaumont), Countess of Buckingham and her second husband, Sir William Compton, Villiers secured the position of royal cupbearer. Serving the King as he ate, Villiers amused James with his wit and lively conversation.

Villiers also impressed James as a dancer in his spectacular court masques, one of the King’s favourite entertainments. Villiers took part in many of these elaborate performances, including masques hosted at the Banqueting House, Whitehall. Commissioned by King James, the Banqueting House was later installed with a magnificent ceiling painting dedicated to his reign.

The King’s Favourite

James’ favour soon set Villiers up for promotion, starting with a knighthood in 1615. This honour came with becoming a Gentleman of the Bedchamber, a prestigious position inside the Royal Household with exclusive access to the King as he ate and dressed.

Villiers soon displaced the Earl of Somerset as James' favourite and most trusted courtier. This privileged position allowed him to gather wealth, land, and titles for himself and his family.

In a few short years, Villiers rose from a Knight to a Viscount, an Earl, a Marquis and finally, in 1623, the Duke of Buckingham. The King also promoted him to Privy Councillor and Lord High Admiral of England.

This rising status brought other opportunities. In 1620, Villiers married Lady Katherine Manners, daughter of the influential Earl of Rutland and one of the richest women in England. This was a powerful alliance that turned into a loving marriage. The couple had four children and enjoyed the support and affection of the King.

Image (below): George Villiers with his wife, Lady Catherine Manners and their children. Royal Collection Trust / © His Majesty King Charles III 2024

A painting of a man, a woman and two young children in the 17th century

The Lord of Heaven bless thee this morning and thy thing my daughter, and the sweet little thing that is in her belly.

Letter from James I to Villiers during Lady Katherine's pregnancy, 1621

A Royal Love

Many historians consider Buckingham and James’ relationship to be an important insight into LGBT+ history – not just the story of a successful courtier.

Attitudes towards sexuality have varied throughout time, but as historians we can find evidence for same-sex relationships in the shifting language expressing romance, desire, friendship, and kinship in historical sources.

Relationships between the monarch and those around them, including their consorts, mistresses, and favourites, were as much about securing wealth and influence as companionship or desire. We’ll never know everything that happened in private between George and James, as many things were never written down, so we can't be sure if their relationship was more about love than political power.

However, we do know James loved several men throughout his life and clearly adored his beautiful, charming young favourite. This was a connection that Buckingham worked hard to maintain, both out of his own fondness for the King and to protect his privileged position.

Accounts of the two men’s lives reveal a tender, affectionate relationship. James openly doted on Villiers and in 1617, he toasted him before the court, explaining that ‘I love the Duke of Buckingham more than any other man’. The King justified this through his faith, stating that ‘Christ had his John and I have my George’.

Image (below): Equestrian Portrait of the Duke of Buckingham by Peter Paul Rubens, 1625. Oil on panel, 18 3/8 x 20 3/8 in. (46.6 x 51.7 cm), Framed: 27 1/2 x 29 3/8 x 2 3/8 in. (69.9 x 74.6 x 6 cm), AP 1976.08. Kimbell Art Museum, Fort Worth, Texas

A painting of a man on horseback

I never saw a fond husband make so much or so great a dalliance over his beautiful spouse as I have seen King James over his favourites, especially the Duke of Buckingham.

Sir John Oglander, 1617

Privately, James’ letters to Buckingham are warm, vulnerable, and revealing. The King called Villiers ‘Steenie’, shortened from St Stephen, who was said to have the face of an angel. He also referred to his favourite as his ‘sweet child’ and ‘wife’. In one letter, Buckingham reminisced about a night spent at Farnham in Surrey, where the two men lay so close together that ‘the bed’s head could not be found between the master and his dog’.

Image (below): King James I of England and VI of Scotland, by Daniel Mytens, 1621. © National Portrait Gallery, London

A painting of a man in red and silver royal clothing, sitting on a red chair

I desire only to live in this world for your sake, and that I had rather live banished in any part of the earth with you than live a sorrowful widow’s life without you. And so God bless you, my sweet child and wife, and grant that ye may ever be a comfort to your dear dad and husband.

Letter from James I to George Villiers, 1623

Long Live the King

James I died in 1625. But even with his patron gone, Villiers hung on to power. He forged a friendship with James’ son and successor Charles I, becoming the new King’s close confidant.

Image: George Villiers, 1st Duke of Buckingham c.1628-9. Royal Collection Trust / © His Majesty King Charles III 2024

A miniature painting of a red-haired man with moustache and beard, in blue and white period dress

Today, you can find a testament to Charles I and Buckingham’s relationship towering above the Queen’s Staircase at Hampton Court Palace. An enormous painting by Dutch artist Gerrit van Honthorst depicts Villiers and a woman, possibly his wife, Lady Katherine Manners, paying homage to Charles and his Queen, Henrietta Maria.

Handsome and bare-chested, Buckingham’s esteemed place at the heart of the monarchy remains on full display in lavish, classical splendour. The painting is still a must-see on a Queer walk around Hampton Court Palace.

A fascinating figure from the Stuart court, Buckingham’s story reveals both the machinations necessary to get close to the crown and the personal passions at the heart of the monarchy.

Minette Butler
Assistant Curator, Historic Royal Palaces

Discover more LGBT+ Histories

LGBT+ Royal Histories

Lesbian, Gay, Bisexual, Trans and Queer histories in our palaces

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